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Archives are divided in 3 sections: 1) Vocal 2) Violin 3) Taleem/Tuition
>>Taleem sessions by Pt. Gajananbuwa >>Pt Gajananrao Joshi's violin Archive
All music lovers world over are earnestly requested not to exploit any portion of Pt Gajananbuwa Joshi's Vocal/Intrumental/Tution recordings commercially. Please co-operate with us and send your comments.
Pt Gajananbuwa's Vocal Concerts Archive
Buwa demonstrates Gwalior, Jaipur and Agra gharanas. Son Narayan Joshi accompanies on Tabla.
Multani, Jayat, Bheempalasi at ITC-SRA, Kolkata
Bheempalasi contd. Marwa, ITC-SRA, Kolkata
Khat: Vidyadhar
Khokar
Early Afternoon Raagas
Shuddha Sarang
Samant Sarang: Sachi Kahet
Gaud Sarang: Saiyya Paro Nahi
Late Afternoon Raagas
Bheempalas: Ab To Badi Ber
Multani: Kavan Des
Early Evening Raagas
Marwa
Gauri: Bhor Bhai
LalitaGauri: Preetam Saiyya
Purbha
Shree
Purvi: Mai To Na Janoo
Marwa: Nanadiya
Marwa: Jhoomra
Puriya Dhanashree
Early Night Raagas
Bhoopali
Jayat Kalyan
Chhayanat: Karat Ho
Chhayanat
Hameer: Chameli Phooli Champa
Hameer: Sun Sun Re
Malgunji
Shankara
Savani: Dev Dev
Savani: Dev Dev
Des: Mora Man Harlino & Tarana
Des: Mora Man
Late Night Raagas
Shuudha Nat: Ja Re Kagwa (Buwa's Bandish)
Shuddha Nat: Aakhan Mori Laagi
Shuddha Nat
Bageshree: Mohe Manavan
Savani: Dev Dev
Rayasa Kanada: Ri Tum Samajh
Sohoni: Janoo Mai & Dekhbeko Jilya
Sohoni: Janoo Mai
Bahar: Mai Ri
Barwa: Biram Rahe
Jaijaiwanti: Payal Baje
Jaijaiwanti
Malkauns: Khayalnuma Tarana
Malkauns: Khayalnuma Tarana
GaudMalhar: Kahe Ho
GaudMalhar: Najara Nahi
MiyaMalhar
SurMalhar
MeghMalhar
Darbari Kanada
Bhairavi
Bhairavi: Karan Mori Laagi
Bhairavi: Tappa
Buwa's Tuition series: Buwa teaches Raga Deskar. Please observe how Buwa unravels the 'soul' of this Raga! The paltas that Buwa teaches are not only necessary for a learner to do his riyaz and practice but I believe they open up the Roop - (Face) - the true nature of a Raga. When a Grand master like Gajananbuwa teaches these Palatas, they are more than just routine exercises. They reveal, in my view, how to build and allow a Raga to grow in a natural way. If a learner asks and contemplates why a given palata or a string of palatas follow a certain configuration, he/she could begin to understand not only a lot about a raga but a general structure of ANY Raga! In other words the 'paltas' are the building blocks of Badhat (elaboration) of a given Raga.
Tution recordings
Bahar
Bheempalasi
Bhairav
Malkauns
Click for more Taleem recordings
All music lovers world over are earnestly requested not to exploit any portion of Pt Gajananbuwa Joshi's Vocal/Intrumental/Tution recordings commercially. Please co-operate with us and send your comments.