All music lovers world over are earnestly requested not to exploit any portion of Pt Gajananbuwa Joshi's Vocal/Intrumental/Tution recordings commercially. Please co-operate with us and send your comments.
Pt Gajananbuwa's Vocal Concerts Archive
Buwa demonstrates Gwalior, Jaipur and Agra gharanas. Son Narayan Joshi accompanies on Tabla.
Multani, Jayat, Bheempalasi at ITC-SRA, Kolkata
Bheempalasi contd. Marwa, ITC-SRA, Kolkata
Khat: Vidyadhar
Khokar
Early Afternoon Raagas
Shuddha Sarang
Samant Sarang: Sachi Kahet
Gaud Sarang: Saiyya Paro Nahi
Late Afternoon Raagas
Bheempalas: Ab To Badi Ber
Multani: Kavan Des
Early Evening Raagas
Marwa
Gauri: Bhor Bhai
LalitaGauri: Preetam Saiyya
Purvi: Mai To Na Janoo
Marwa: Nanadiya
Puriya Dhanashree
Early Night Raagas
Bhoopali
Jayat Kalyan
Chhayanat: Karat Ho
Chhayanat
Hameer: Chameli Phooli Champa
Hameer: Sun Sun Re
Malgunji
Shankara
Savani: Dev Dev
Savani: Dev Dev
Des: Mora Man Harlino & Tarana
Des: Mora Man
Late Night Raagas
Shuudha Nat: Ja Re Kagwa (Buwa's Bandish)
Shuddha Nat: Aakhan Mori Laagi
Shuddha Nat
Bageshree: Mohe Manavan
Rayasa Kanada: Ri Tum Samajh
Sohoni: Janoo Mai & Dekhbeko Jilya
Sohoni: Janoo Mai
Bahar: Mai Ri
Barwa: Biram Rahe
Jaijaiwanti: Payal Baje
Jaijaiwanti
Malkauns: Khayalnuma Tarana
Malkauns: Khayalnuma Tarana
GaudMalhar: Kahe Ho
GaudMalhar: Najara Nahi
MiyaMalhar
SurMalhar
MeghMalhar
Darbari Kanada
Bhairavi
Bhairavi: Karan Mori Laagi
Bhairavi: Tappa
Buwa's Tuition series: Buwa teaches Raga Deskar. Please observe how Buwa unravels the 'soul' of this Raga!
The paltas that Buwa teaches are not only necessary for a learner to do his riyaz and practice but I believe they open up the Roop - (Face) - the true nature of a Raga.
When a Grand master like Gajananbuwa teaches these Palatas, they are more than just routine exercises. They reveal, in my view, how to build and allow a Raga to grow in a natural way.
If a learner asks and contemplates why a given palata or a string of palatas follow a certain configuration, he/she could begin to understand not only a lot about a raga but a general structure of ANY Raga!
In other words the 'paltas' are the building blocks of Badhat (elaboration) of a given Raga.
All music lovers world over are earnestly requested not to exploit any portion of Pt Gajananbuwa Joshi's Vocal/Intrumental/Tution recordings commercially. Please co-operate with us and send your comments.
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